One World
But how can the young at heart music consumer appease today its nostalgic longing for these dreamy, familiar sounds? Now, because Jarre also the balancing of the style elements of techno increasingly prevail in his albums (Teo & Tea)? The “young guns” and the classic electronic music only a few other musicians have used dare on the recalcitrant synthesizers worlds of the great Jarre. Only a handful have tried similar immersive sound carpets. This on the one hand as a tribute to their famous musical role model, to let go, on the other hand, this rare flow of the genre of electronic music in oblivion. To continue something at the point, where Jarre once left his path as a pioneer of course as a musician also to develop, was desired and solid foundations for the projects of electron Alin and Ava Felsenstein. Both musicians from German speaking countries, which for its early representatives of electronic music (Kraftwerk, Tangerine Dream, Klaus Schulze, etc.) is known world-wide. 4334 albums with HYDRO LUX, the two Jarre enthusiasts connect to times that has marked them as musicians and friends of electronic music and influences. Although inspired by many of the artists active in the teenage years of the genre, but especially to the sometimes unfathomable melancholy and also again rhythmically public pioneer spirit works by Jean-Michel Jarre have done it them.
So it’s not surprising even if the typical sounds like them in cult numbers such as Oxygene Part II part IV or Oxygene has cemented Jarre, resurrect the title of electron Alin and Felsenstein. Also listed by pieces that take turns driving “forwards” go when much more moderate as we know it by today’s electronic music. At the same time are the performers on it that their works do not apply as an attempt, Jarre 1:1 copy. Composition and effects are although stylistically very similar because inspired by Jarre and his influence owed, yet each note, each harmony, each Phhhjjjjuuuu and Pzschhhhhh springs from the synths of especially their own imagination. You continue the story that started mid of seventies Jarre with Oxygene, with own chapter. With 4334 and HYDRO LUX.
Both albums are similar like Jarre did before it, conceptually based. You introduce the listener into a progressive sound world, involve him in electro-acoustic events, stimulate his imagination. At the end of a journey behind them, could take experiences. Technologically considered are these only cold, technical equipment, such as synthesizers and drum machines, which are responsible only, to transform electricity into sound. But the two musical craftsman using this technique in a kind of do this, as it has implemented also Jarre; you forget the severity of the reality about the harmonies and the indulgence in sounds. A very special magic reaches the ear and the consciousness of the listener. She enchants for its soul album length, took her for a few thousand heartbeats in the ever more elusive realm of electronic music. One World without borders for music from time and space, which even after many decades long still not exhaustive passes through was where many sounding secrets waiting to be discovered by future generations.
