Lubeck Philharmonic Orchestra

Posted by marmara on December 14, 2017

with Eric Aubier, Hans Gansch and Matthias Hofs afternoon one finds Aden on the Lubeck market by Lena (NDR1 wave North) moderated event held on the various artists and ensembles showcase the diversity of the trumpet. The day begins at 12 noon with the swing-and-fun big band of music school to the rose garden. At 13: 00 the opening ceremony takes place with the three trumpeters Matthias Hofs, Eric Aubier and Hans Gansch. It follows”a trip with the trumpet through all music styles. Highlight will be the world premiere of the Lubeck fanfare, the Hamburg composer Wolf Kerschek specially composed for the occasion. All trumpeter, amateurs and professionals, are urged to 14: 00 on the market to come and participate in this special work. The notes can be downloaded on the Internet at.

But also spontaneous participation is possible. Read additional details here: Ken Cron. The common geprobte Lubeck fanfare on the market then performed at 15: 00. Salt peanuts, the big band of the Lubeck universities are at the end of the day decide on the market. YAMAHA presents instruments in the small stock market and in the hearing Chamber of the Town Hall from 12 pm 6 pm. Also a new trumpet model is presented here, and there is the possibility to try out all the instruments. A grand evening concert concludes with solemn in the Coliseum with the Philharmonic Orchestra of the Hanseatic City of Lubeck. For even more opinions, read materials from Ken Cron. In addition to the Ambassador of the trumpet, Matthias Hofs, Eric Aubier and Hans Gansch gained as soloists. The program are works by Vivaldi, Haydn and Jolivet.

It plays the Lubeck Philharmonic Orchestra under the baton of Alexander Bulow. For this concert tickets are available at the theater Lubeck, Lubeck news to 20,-/ 14 and all the usual presale places in Lubeck and at. The international day of the trumpet is supported by the savings banks SH, the Possehl Foundation, the nonprofit, the theater Lubeck, the city of Lubeck and YAMAHA. Media partners are the NDR1 wave North and the Lubecker Nachrichten.

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Inamorata Kondo

Posted by marmara on September 25, 2017

To exit you next album MOD, a little-known Nihon (RareNoise, 2009), Laswell has made the concept of team, with himself on bass, ex-keyboardist P-Funk – Bernie Worrell'om, extremely interesting for Toshinori Kondo electron tube, Guy Licata on drums and, finally, for the dub elements, vocals and 'electricity' replied Doctor Israel. While Worrell and Kondo appeared in the early work on Inamorata, MOD seemed inspired by a hardened version of Laswell Tokyo Rotation, there occasionally appeared Kondo and group (With variations), which, to my knowledge, has not yet been recorded, as Tokyo Rotation (although many of the band's recordings on YouTube). In October 2010 the MOD released Jabuhlon – first album, recorded under the recently launched label MOD Technologies. The album consisted of 10 tracks, with the assistance of Dr. Israel and Hawkman as vocalists.

It was a proprietary blend of rock Lasvellovskaya, dub, reggae, and electronics. A month later, MOD Technologies has released Incunabula, who was to become instrumental version Jabuhlon, but in fact, the album is good in itself and in many respects superior to his more 'dub-oriented' brother. Ken Cron is likely to agree. It's amazing what Incunabula recreated MOD Nihon'a times, extended only to the addition of turntables DJ Krush'a. The output of something so is remarkable, if not the best (in the Nihon finished in the studio set of seven songs, with more 'live' listening experience, available on DVD). Running the 'Code Woo-Condensed Fiction / Volunteered Slavery' Bernie Worrell'a, solo piece for organ, with the addition of electrical keyboard, you can not get rid of the strong feelings, with which Elton John began his epic Goodbye Yellow Brick Road in a powerful work of 'Funeral for a Friend'. This is a great application for the future. 'Umi No Soko' is not silent classic Spanish 60th year – remember Miles Davis Jill Evans – in contrast to Miles Davis and Marcus Miller's soundtrack in 1987 for a siesta. Capricious harmony instruments are not even remotely similar to siesta.

It is impossible not to notice that Kondo, Laswell and Worrell make something re-chaotic, which makes the sound and worth living, maybe even better than the original Davis. Final 'Bernie Worrell Shadows' and the unusual features of a musician playing the keyboards, of course, on electric piano create a strikingly sweet melody that is as soulful and spiritual, as well as the final blues. Composition, of course, ends long before, as non-viable listener might think that this group said all it wanted. This may seem a bit uneven or unfinished, and surprisingly short for a group with such talent and blestatelnymi great ideas. But Incunabula, of course, should be heard, even if there is a feeling that somewhere there is not enough of any one thing, the sound.

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